But the group did clean their style up slightly for this tape. Good song.įuture generations may find it ridiculous that an album where Tyler raps about taking three pills of Extenzo until he’s “longer than a five-door limo” - on the lead single, no less - seemed like a step towards accessibility. Mike G is also present via “Forest Green,” which was a year old by the time it appeared here. It summarizes Tyler’s style throughout the compilation the teen pathos sometimes heard on Goblin is absent in favor of Eminem-style pop culture punchlines and grumblebrags about his fame.
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Then Tyler’s production expands to include cavernous brass and military chants, and the OF leader commandeers the remainder of the song to talk about his awkward teen fans and crack grim jokes about Kurt Cobain’s death.
But at his best he’s fired up and talking shit like a shirtless guy at a house party, like when he raps, “Army fatigue Bape boxes for the league/ No ghetto barrettes and weaves down to the sleeve for the fees,” swapping four-bar verses with a mellowed-out Domo Genesis on the album’s first song, “Bitches.” Domo doesn’t often expand his subject matter beyond his weed and his rapping ability, but on “Sam (Is Dead)” he reflects on growing up despite his mistakes and his father’s failures through a cloud of wake-n-bake smoke, in the vein of AZ on “Life’s A Bitch.” It’s one of the best verses on the tape. Hodgy Beats appears on 10 of the 18 tracks, and not all of his verses are keepers. These tracks are stupid fun, like cutting high school to hole up with junk food in a friend’s living room. Plenty of reviews dismissed the songs as Waka Flocka parodies, but I don’t think there’s anything parodic there at all it’s clear that everyone involved is really into Flockaveli, and who wasn’t back then? Tyler even shouts out Brick Squad on “Hcapd.” Beyond Lex Luger worship, the beats dabble in G-funk whistles, Memphis horns, trap hi-hats, and RZA-like piano stabs. The bulk of the album is mosh-pit music in “kill people, burn shit, fuck school” mode, foregrounding the group’s rappers and aggro beats from Tyler and Left Brain. It sums up the Odd Future phenomenon in all its extremes, a collective of talented friends messing around and creating together in the eye of a music industry hurricane. 2, released 10 years ago this weekend, was the group’s grand statement, a major label album that sounds as petulant and grimy as their lo-fi 2008 debut recorded in Syd’s home studio. Despite these projects’ muted impacts, the media circus surrounding the group continued into 2012 every shocking lyric, new collaboration, antagonistic interview, and raucous live show was well documented by a relatively thriving music media - including this very site. A year after Odd Future hit the cover of Billboard, the music industry was ready for these chucklehead kids to grow up and make some damn money already: A March 2012 Guardian story noted that the group had parlayed their initial Tumblr fandom into tours, VMAs, and pop-up shops, “but not, as yet, into actually selling many records.” After releasing his second album Goblin through famed London indie XL Recordings, leader Tyler, The Creator stocked Sony imprint Odd Future Records with a few minor projects, including EPs by Mike G and Hodgy Beats and the debut by nascent R&B side project the Internet.
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